The Simonsound

electronic music

The Tone Generation’s Ian Helliwell will be giving a talk at the Royal College of Music, :ondon on the 18th of November at 5.15 PM. Its free, so if you enjoy electronic music from this period or just want to find out how this Expo in particular made such an impact by exposing challenging experimental music, film, design and architecture to the masses, go and check it out.

Expo 67: Electronic Music for a World of Tomorrow
At Montreal`s Expo 67, electronic music and multi-screen cinema were brought together on a scale previously unseen, drawing from ideas and techniques fostered by avant garde composers and filmmakers. This highly experimental approach was thrust into the commercial exhibition arena via the massive popularity of Expo 67, and experienced by millions of visitors with no previous knowledge of such challenging work. National government as well as corporate pavilions featured new audio-visual presentations, and involved many of the most cutting edge artists of the day.
This forum will consider the circumstances and impact of experimental music and film colliding with the mainstream, and to give a sense of the sights and sounds of the Montreal fair, Ian will premiere his specially made split-screen collage of archive music, audio extracts and photographic stills.

Full details here

Ian Helliwell’s website

11 November 2010 expo 67 experimental music electronic music sound design avant garde Ian Helliwell Montreal Worlds Fair multi screen cinema architecture film


Photo’s from the Pizza Express Jazz Club, Soho. New Generation Music hosted by Nick Luscombe. It was the first outing for the new Simonsound live show with Debbie Clare and Laura J Martin. More gigs coming soon. Nov 21st - Orange Rooms, Southampton. Nov 27th - Scala, London. Dec 10th - Duke of York’s, Brighton.

7 October 2010 live debbie clare laura j martin Pizza express Nick Luscombe Moog Synthesiser flute electronic music


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The latest Tone Generation (produced by Simon James) is live.

In this special hour long edition of the ongoing series exploring early
electronic music, Ian Helliwell delves into his archive to unearth tracks by
some of the pioneers in computing. Starting with the first original computer
composition in 1957, the selection gives an insight into the developments of
music made initially on giant mainframes using punched cards, and then onto more compact systems by the late 1970s.

The programme includes tracks by Max Mathews, John R. Pierce, James Tenney, Jean Claude Risset, Lejaren Hiller, Godfrey Winham, J K Randall, Vladimir Ussachevsky, Barry Vercoe, Robert Ceely, Charles Dodge and Bruce Pennycook.

Cick here for the latest episode. Find the rest of the series here.
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31 May 2010 ian helliwell radio podcast electronic music computer music experimental synthesis music